A Statement From The Artist

My practice explores memory, mortality, and the traces left behind by people, bodies, and materials. Working through analog photography and process-based experimentation, I treat images as physical objects rather than fixed records. I am interested in how photographs deteriorate, transform, and resist preservation—mirroring the instability of memory itself.
Material processes play a central role in my work. Through cyanotype, surface manipulation, and textile integration, I allow chemical unpredictability, wear, and failure to guide the image. Lace, fabric, and found photographic materials reference domestic labor, ritual, and inheritance, situating photography within acts of care and remembrance. My subjects often exist at thresholds—between presence and absence, devotion and decay, intimacy and loss.