My work explores the city as a psychological landscape, shaped by the dissonance between perception and reality. Influenced by neon light aesthetics, I use saturated and contrastant colours and deep shadows to evoke artificial settings that feel both illuminated and obscured. The visual texture draws from visual snow syndrome, introducing grain, noise, and distortion in a way to translate an unstable way of seeing into image form. Through a contemporary approach to chiaroscuro, I exaggerate contrast to create tension between visibility and concealment, guiding the viewer through environments that feel simultaneously familiar and hostile. These images transform ordinary urban spaces into sites of unease, where light does not reveal but instead distorts, and where perception itself becomes unreliable.