Marco Balbi Dipalma
THE DOORWAY
Videotape VHS | 4:3 | Colour | Sound | loop |
2023
The threshold is a space of encounter. The hands are placed in the centre of the heart, like an oriental mudra. The space echoes the Greek cross architecture of medieval churches. Living is a temporal space that flows through the doors of the passage. The hands probe the flesh of the Self in its walking through the openings, constantly dying and being reborn in its passing. The passage is presence and absence manifesting itself.The colours of image, sound and action seek to re-establish a state of wakefulness. The balance of chiaroscuro. The threshold is connoted as a rite of passage towards a dimension of communion with Self and, towards the other, the Beyond.
THE WAY
Videotape VHS | 4:3 | colour | sound | loop |
2023
“THE WAY” is a ritual action. The video is a cyclical question about the function of doing bad and doing good. The continuous return to the image of Jesus, the symbol of my upbringing, is a symbolic docu- mentation of my return home. I went back to live with my family for a while after returning to Italy. The foreign experience had ended. It ended with a spiritual crisis and much suffering. I had not resided in my native home for many years. The large painting of Christ on the stairs has always fascinated me. He imposes himself on the ascent and descent of those who pass by. His painted body, like a presence to be encountered. In the passage I look at him with different temporal eyes: of the child who believes in eternal goodness and the disenchanted adult. Two complementary forces, se- eking balance, between matter and spirit. “The Way” is a circular and vertical video, directions that come to- gether in a spiral. The spiral is contemplated as a cathartic motion of passage from a living space to a dead one. Black has no negative con- notations, but is connoted as looking into the dark, in a continuous im- mersion into the light. Contemplating Golgotha I continue to climb the stairs with my cross: “Why this evil in living?”
A Little Bit About The Artist
Do you think you would survive the backrooms and why/why not?
Yes, i will start to dance and sing hoping the birds will arrive to take me on the stars.
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What’s your favourite scary movie?
Mario Bava The Demon Mask.
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What’s the biggest influence on your
Maya Deren | L. Freud, Bacon, Nitsch.