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Kat Easto

ARTIST · URBAN NIGHTMARE · MAY 2026

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Portal 472

Print

2026

42.0 x 59.4 cm

£200 

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The Whitgift Centre

Print

2024

42.0 x 59.4 cm

£200 

Upon recently returning to The Whitgift Centre in my hometown Croydon, I noticed an overwhelming stillness in the air, as though the building had been frozen in time, trapped inside an immense feeling of nostalgia. I have been frequently visiting the shopping centre over the last few months, taking photographs of its quietly uncanny beauty, and trying to understand why the nostalgia of being here feels so unsettling.

Found CCTV Footage of The Whitgift Hotel

Video

2024

Through 'found' CCTV footage, this short film explores alternative fictions of empty commercial spaces that no longer serve their original capital function. Flickering between real camcorder footage of The Whitgift Centre in Croydon, and a digital ‘hotel’ created using Blender.

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A Little Bit About The Artist

A Statement From The Artist

Kat Easto is a multi-disciplinary artist and set designer based in London. Her work explores abandoned, mundane and overlooked spaces, turning empty corners into ones of wonder, fear and surreal potential. Trained as a Production Designer for film and television, Kat uses these skills to depict quietly strange worlds in her paintings, digital work and the sets she creates. Her most recent project explores the quiet eerieness of The Whitgift Centre in Croydon, her local shopping centre growing up. Through photography, painting, moving image, writing and installation, she has transported the centre into other realities, from a surreal desert to a strange hotel. She is currently creating an immersive installation for her final year show in her MA Fine Art degree at Central St Martins, where audience members will be able to step into this world entirely. Through world-building and atmospheric detail, her work encourages us to dream.

Do you like scary movies? And if so which ones?

I like movies that lure you in with an unsettling atmosphere, freaking you out before anything really horrible has even happened. David Lynch is of course the master of this. Also science-fiction influenced body horrors, like The Thing and Videodrome, and The Substance!

Who or what is the biggest influence in your practice?
 

The distant glow of a fluorescent street lamp surrounded by darkness at night. I love it when quiet spaces feel alive and curious. It makes me think about how much mystery there is out there, even in the most mundane places. I like to explore abandoned places too. A lot of my work involves creating alternative fictions to forgotten places. There is a real power in the stillness they possess.

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